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Choreography: A Basic Approach Using Improvisation

DOI: 11.5040/Choreography

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# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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A (15)

AB

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ABA

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Abstract

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B (5)

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Beat

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Blocking

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Body Shape

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Breath Phrasing

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C (34)

Canon

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Changing Focus

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Character

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Choreographic Structure

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Choreography

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Closure

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Composition

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Conceptual Question

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Conscious

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Contact Improvisation

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Contact Improvisation

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Continuity

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Convergence

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Copyright

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Counterbalancing

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Counterpoint

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Craft

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Creative Process

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Cue

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D (18)

Dance

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Dance By Chance

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Dance Drama

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Dance In The Round

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Design

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Designing and Shaping the Dance

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Development

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Developmental Stage

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Diminution

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Direct Imagery

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Direct Movements

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Direct Pathway

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Direction

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Downstage

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Dynamics

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E (16)

Effort Actions

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Element

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Energy

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Energy Qualities

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Ensemble

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Environment

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Essence

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Experiment

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Experimental

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Exploration

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Exploring and Improvising Movement

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Exploring Space

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Expressionism

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Extension

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F (14)

Facial Expression

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Facing

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Factual Question

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Flocking

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Floor Pattern

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Flow

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Focal Point

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Focus

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Follow

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Following

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Following

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Force

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Form

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Framework

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G (5)

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Geometric

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Group Shapes

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I (21)

Identifying Choreographic Form

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Image

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Impact

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Improvisation

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Impulse

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Incubation

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Indirect Imagery

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Indirect Movements

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Indirect Pathway

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Indirect Space

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Informal Concert

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Initiation

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Inner Initiation

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Inspiration

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Intent

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Interactive

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Interpersonal Space

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Intonation Cues

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Involvement

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Inward Focus

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Isolation

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K (4)

Kinesthetic

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Kinesthetic Imagery

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Kinesthetic Sense

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Kinesthetic Sympathy

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L (9)

Learning Style

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Lecture-Demonstration

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Level

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Light

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Line

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Literal Choreography

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Literal Choreography

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Locomotor

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Lyric

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M (18)

Manipulation

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Marking

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Mental Image

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Metaphor

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Meter

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Mind–Body Connection

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Minimalism

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Mirror

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Mirroring

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Mixed Meter

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Mode of Sensing

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Motif

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Motivation

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Movement Manipulation

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Movement Phrase

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Movement Potential

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Movement Tableau

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Movement Vocabulary

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N (6)

Narrative

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Natural Form

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Negative Space

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Nonliteral Choreography

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Nontraditional

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Nonverbal Communication

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O (6)

Observe

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Opposition

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Opposition

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Organic

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Outer Initiation

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Overall Development

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P (20)

Pantomime

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Path Or Pathway

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Pattern

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Pedestrian

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Perceiving

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Percussive

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Phrase

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Phrasing

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Pitch

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Plasticity

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Polycentrism

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Polyrhythmic Music

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Position

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Positive Space

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Potential

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Preparation

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Project

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Prop

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Public Domain

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Pulse

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Q (2)

Quality

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Quick

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R (9)

Realism

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Rebound

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Rehearsal

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Repetition

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Response

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Retrograde

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Rhythm

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Rhythmic Cues

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Rondo

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S (46)

Section

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Semblance

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Semi-Structured

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Sensing

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Sensory Modality

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Sequence

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Sequential

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Sequential Movement

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Sequential Sequence

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Shape

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Shifting Transition

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Sight Lines

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Silence

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Simultaneous Initiation

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Simultaneous Sequence

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Size

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Space

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Spatial Design

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Spatial Variations

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Specific Imagery

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Speed

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Splicing

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Staccato

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Stage Left

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Stage Right

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Staging the Performance

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Step

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Stimulus

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Strong

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Structured Improvisation

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Study

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Style

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Subconscious

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Subject Matter

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Successive

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Successive Sequence

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Suite

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Surrealism

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Suspended

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Sustained

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Swing (Phrasing)

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Swinging

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Symmetrical

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Symmetrical

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Symmetrical

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Syncopation

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T (14)

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